Architects of Awareness: A New Woke World Order Part 2

Architects of Awareness: A New Woke World Order Part 2

“Ceux qui peuvent vous faire croire à des absurdités peuvent vous faire commettre des atrocités.”

Those who can make you believe absurdities can make you commit atrocities.

― Voltaire

How it Started, How it’s Going

In part one of this series we explored the origins of mass media and the propagation of pro-war sentiment during the developmental stages of big-screen theater as a medium. Aside from delivery method, not much has changed from the silver screen of the old silent film era to the modern age of smartphone streaming videos and restricted walled-garden access to information. The vast majority of today’s media, by and large, is carefully curated and censored either directly, or through methods of machine learning, persistently sifting and cataloging data. Lapdog tech conglomerates work at the behest of state agencies in monitoring the flow at terminal junction points. The Patriot Act of course authorized this, and these corporations enjoy the benefits of retroactive immunity. Integral constructs within social media algorithms, video sharing networks, and search engines, impose restrictions on free speech, and regularly lie via omission.

Such coordinated and constant interference permits only regime-approved information to be spun into an endless cacophony of distraction, misinformation, and misdirection resulting in a dumbed-down, heavily divided and conquered people. Those of us privy to such machinations find ourselves walking amongst an ill-informed general public who can’t even begin to see why food costs have rapidly surged, much less retain any capacity to deduct the basic modalities of debt usury. Distracted and pre-programmed, non-player characters who would prefer not to know; particularly those of zealous leftist persuasion and also hopeless statists who comprise the naive and trusting right. Those yet to awaken to truth, or who may be too far gone, are the cornerstone of the establishment of a technocratic clown world. A false realm based wholly in absurdist viewpoints manufactured by those who wish to divert any gaze toward their true activities and intentions. Effectively, we have a large percentage of the population building the walls of their own prison. A contingency that has been conditioned to identify with the walls closing in on them, and who will solemnly wish for your death, should you begin pointing the bricks out to them. So the sleeping giant remains in a carefully programmed slumber with mass media being the central causal factor for their dream, and our nightmare. We’re dealing with dregs abound, whose only value is measured by their utility to the state.

“We shall not try to make these people or any of their children into philosophers or men of learning or of science. We are not to raise up among them authors, orators, poets, or men of letters. We shall not search for embryo great artists, painters, musicians….”

― Frederick T Gates (business advisor to John D. Rockefeller, Sr)

So while we seem to be in a wrought age of great forgetting, they have not yet achieved their spirit-crushing, decisive victory as depicted so precisely in George Orwell’s 1984. Rather, A Brave New World by Aldous Huxley is a more analogous to the societal and cultural breakdown we find ourselves in the midst of. However, it can be argued that docility and apathy in the information age is achieved primarily by means of over encumbering toxic information and media. The sodium fluoride in the water, pharmaceutical cartels, and chemical shitstorm that passes for food doesn’t help either.

While this is undoubtedly a global agenda, one could point to the downfall of the once-free Constitutional Republic of America as an example. The United States’ cultural fractures and fissures have been created and deliberately hastened by parasitic master manipulators who own and control all mainstream media outlets in coordination with tech giants, who incessantly encourage virulent, festering degeneracy, abandonment of morality and common sense. Notably, a major offensive in this war on the mind is the driving home of the spike of fanatical atheism. A divisive mental assault malware, appealing to ego and grand hubris, that upon installation replaces any higher reverence of a creative force with adherence to the state and authority as a god. This leaves the celestially aimless only with dogmatic scientism, culminating in a detachment to spiritual connection of all varieties, thus casting aside any respect for principled ethics. The sum consequence being a limping husk of an empire pocked with abandonment of natural law, designed to fail at every avenue. If inaction continues to prevail, the failure of mankind shall reveal the true face of permanent slavery, beckoned by the people themselves, to enter its final phase. No pressure, right? But remember: If the situation was hopeless, their propaganda would be unnecessary.

These days the propaganda is simple in its dark genius: Keep them scared, but also fashion it as fun when they don’t have their guard up and are most susceptible. Call it entertainment!

Imagining Media to Make Monsters

So how might such a transmission appear in regards to modern propaganda, so carefully crafted to achieve the nefarious ends of global domination? In one word: “Woke”. In other words, an inversion of natural law, an upside-down broadcast that emphasizes the absurd, applauds the abhorrent, and stokes the destructive flames of hate.

An uninspired, crestfallen people are easy to control if they know no other way. A society with no heroes or role models of value, people devoid of any wonder as they navigate life, cultures without legends to draw inspiration from will inevitably house individuals seeking deeper meaning. So the simple solution is to destroy the old ways and replace them with devious imposters that ring hollow.

A prime example to consider, no pun intended, is the deliberate bastardization of J.R.R. Tolkien’s legendary work as propagated through Amazon Prime Video’s production houses. It is almost universally accepted that the work of Tolkien is considered by most to be unparalleled storytelling in the modern age. Relatively speaking, it’s a recently written world of myth and mystique that holds ground and esteem to the great epics of antiquity such as the Iliad and Odyssey, Bēowulf, Arthurian Legend, Epic of Gilgamesh, Journey to The West, etc.

Once the woke crosshairs acquired Tolkien’s legacy, targeted for destruction, we saw the controversial departure of renowned Tolkien historian, Tom Shippey. A bad sign, as one can speculate, but the writing was on the wall; The Rings of Power was going to be a re-imagining of the legend, severely degraded for the “modern audience”, barren of any depth whatsoever. Furthermore, one of many race-swapped character actresses goes on to describe the overall agenda to pervert the original works and vision. Lastly, the so-called “showrunner” of the financially disastrous series, spitefully and publicly lashed out at fans, blaming them for the resounding failure. All meaning and lessons to be drawn from the encyclopedic wellspring of inspiration that is The Silmarillion was inverted into such uninspired dour characters, identity politics and twisted ethics that the series actually expects audiences to empathize and root for the Orks. Classic inversion. The groundskeeper at Wolvercote Cemetery in Oxford England must have his work cut out for him, because Tolkien’s grave has to be spinning!

Regrettably, the beloved works of Tolkien are far from an isolated incident. Cultural Marxism knows no bounds, as one can observe similar absurdist and mean-spirited revisions seeping into hundreds of genres, mediums, and franchises, both well-established and newly fabricated. In the next part of the series we will dive deeper into the plethora of examples exhibiting such thematic malignancy. Depravaties not only found in movies and cinema, but in video games, comics, novella, music, fine art, sports and other methods of mass media indoctrination and agitation disguised as entertainment. All of these aspects are put forth to culminate the long-hatched plan central to the Frankfurt School philosophies. Plots involving ill-intentioned individuals, repugnant production houses, state agencies, and darker, lesser known occult groups with insidious plans in store. There’s no business like show business!